Last Friday I was in Portland. An unexpected trip that offered a wonderful opportunity to see some amazing glass artist in one small place. The Oregon Glass Guild www.oregonglassguild.org had their 11th Annual Glass Gallery Show & Sale at the Portland Convention Center. Two things happened that made this trip a reality. Sara decided she wanted to come home for Passover and take books and mementos home with her if I drove her back. Then around that time I read that a glass artist I met on Facebook was participating and the plans took off from there. Arrived Thursday night and early Friday Sara delivered me to the center's front door. Walked into a free event that was eye candy for glass both art lovers and artist.
The first thing I did was check out the Gallery where every artist was represented. Then I went to meet Linda Steider. Her booth was easy to find as I recognized her style. Her painting on glass is detailed and the gold accents are the finishing touch. Love the touch of whimsy on some of her pieces too. Since it was early I had time to introduce myself and spend some time for shop talk before more people showed up.
After viewing all 69 booth's I was overwhelmed, stimulated, inspired, and yet felt so comfortable there I wanted to stay longer. I forgot to bring a camera. Not sure if I could have taken any pictures. You can see Linda's work on her facebook page After three hours I called for my ride home. Tired but very happy.
http://www.facebook.com/pages/Steider-Studios/109500489072770
www.oregonglassguild.org
Flower Vase
Monday, May 2, 2011
Thursday, April 21, 2011
A Learning Experience
Last week a student made an appointment to make some pendants for herself and friends. She came prepared with the design and the colors were already chosen. It sounded like an easy project and as I laid out the process choices for her the decisions came quickly. Until I discovered I did not have the correct shade of green she wanted and needed. A compromise was made using frit instead of a solid piece of glass. The size was to be a 1 1/2 inch circle. Again no problem. A square fused will become a circle. We all know glass melted will draw into itself to a thickness of 1/4 inch.
All goes well using the cut pieces and the frit to finish the design. Added a piece of clear, waited till the next day to fuse. I fused the pieces and though they fused well, they were still square-ish!!! I stared in disbelief. Where were the circles? What happened? I have done this so many times with nice round results.
Hours later I realized three layers were used and of course it was already a quarter of an inch thick. I went to work grinding and shaping and when it looked more rounded I refired. Better, but not round enough. If this was for me I would have adjusted how I was going to use the pieces. But this was a special personal project by a customer. After the disappointment we discussed ways to make it into a circle. She has access to a powerful grinder and before redoing the project she is going to try and grind it into shape. If it works, I will then fire polish the circles. Otherwise she will start over and use different materials like glass paints or powders. Or let her try cutting small circles.
I learned I need to remember all factors when teaching and guiding and not get hung up on providing the correct sizes and colors that were asked for while forgetting the basics.
All goes well using the cut pieces and the frit to finish the design. Added a piece of clear, waited till the next day to fuse. I fused the pieces and though they fused well, they were still square-ish!!! I stared in disbelief. Where were the circles? What happened? I have done this so many times with nice round results.
Hours later I realized three layers were used and of course it was already a quarter of an inch thick. I went to work grinding and shaping and when it looked more rounded I refired. Better, but not round enough. If this was for me I would have adjusted how I was going to use the pieces. But this was a special personal project by a customer. After the disappointment we discussed ways to make it into a circle. She has access to a powerful grinder and before redoing the project she is going to try and grind it into shape. If it works, I will then fire polish the circles. Otherwise she will start over and use different materials like glass paints or powders. Or let her try cutting small circles.
I learned I need to remember all factors when teaching and guiding and not get hung up on providing the correct sizes and colors that were asked for while forgetting the basics.
Wednesday, April 6, 2011
Changes coming
Yes, changes are coming. And as with most changes I am not sure how they will end up. Since Eric retired he expressed a desire to start learning about fused glass and work with me in my studio. I have often asked for his opinion about color or balance. It is important to get a critical eye to spot a weak design or to express an option I did not think of, because I work alone it is easy to lose perspective. These are the reasons I call for his help and he has shown he has a good eye. Just as he takes great photos his sense of balance and compisition can be used designing glass art work too.
This is the problem, where can we both work? The studio is small and because of that I do most of my larger and messier work in the warmer months when I use the patio outside my studio. We would like to work year round and vacation or take time off whenever we want. We need a new space. Do we move, convert a room in our house near the studio, or finish off the garage? We are exploring all these options as I get ready for Silicon Valley's 25th year Open Studio. I remember all those years participating as a looker and sometimes buyer. Thinking someday I will offer my art work. I hope to have some answers by the end of May. In the mean time more work and clean up and sorting to do by the opening on Mother's Day weekend May 7 and 8. I am signed up to show on the first 2 weekends so you have 4 days to stop by and visit my site.
This is the problem, where can we both work? The studio is small and because of that I do most of my larger and messier work in the warmer months when I use the patio outside my studio. We would like to work year round and vacation or take time off whenever we want. We need a new space. Do we move, convert a room in our house near the studio, or finish off the garage? We are exploring all these options as I get ready for Silicon Valley's 25th year Open Studio. I remember all those years participating as a looker and sometimes buyer. Thinking someday I will offer my art work. I hope to have some answers by the end of May. In the mean time more work and clean up and sorting to do by the opening on Mother's Day weekend May 7 and 8. I am signed up to show on the first 2 weekends so you have 4 days to stop by and visit my site.
Saturday, March 19, 2011
Back to work
Took a little time off for R&R. Rested up, read a lot and then ended my down time with a trip to the San Diego area for fun exploring and visiting friends. Have not visited the San Diego attractions in about 20 years. The museums were both restful and exciting and full of refreshing energy. The weather was wonderful, sunny and a refreshing cool made it easy for outdoor sightseeing. The zoo had new renovations in the works and that put a tiny crimp on the visit. Visited the La Jolla Scrip's Contemporary Art Museum and the aquarium a few days later. On both days we witnessed beautiful sunsets on the beach. I will add photos today.
Did not escape work altogether though. Thankfully I took my laptop, because I get an email from Silicon Valley Open Studio to proof my information for the spring catalogue. The due date to submit changes would have passed by the time I got home. There were a few errors. They had me listed as a sculptor instead of a glass artist. That would have been really bad especially since there are only 3 glass artist showing this May. People would have been disappointed and my sales would have been compromised. Problem averted and I am home and have new ideas for the show and how to set up this time. I am on my site alone this year so the space is all mine.
There is a new feature with open studio this year. On sites with multiple artist they are offering people to be mentored by appropriate venue artist. Painters, fabric artist or potters for example may have a novice looking on and learning from an established artist. I offered even though I am alone because there so few artist working with glass. The rules were already set and they said my offer was understandable under the circumstances, but "no thank you." Maybe next time exception can be made if this happens again.
It is studio time again and when it stops raining I will be able to bring my work
equipment out on the patio and have more room inside. The grinder and 2 wet saws are messy and takes up a lot of room. And working with glass powder is easier outside unless it is windy of course. Thinking of using the sunsets as an inspiration. The sunset coloring with the people in silhouette is my favorite photo on this recent mini vacation. You can see that photograph here. This will be my guiding force as I select my glass colors.
Did not escape work altogether though. Thankfully I took my laptop, because I get an email from Silicon Valley Open Studio to proof my information for the spring catalogue. The due date to submit changes would have passed by the time I got home. There were a few errors. They had me listed as a sculptor instead of a glass artist. That would have been really bad especially since there are only 3 glass artist showing this May. People would have been disappointed and my sales would have been compromised. Problem averted and I am home and have new ideas for the show and how to set up this time. I am on my site alone this year so the space is all mine.
There is a new feature with open studio this year. On sites with multiple artist they are offering people to be mentored by appropriate venue artist. Painters, fabric artist or potters for example may have a novice looking on and learning from an established artist. I offered even though I am alone because there so few artist working with glass. The rules were already set and they said my offer was understandable under the circumstances, but "no thank you." Maybe next time exception can be made if this happens again.
It is studio time again and when it stops raining I will be able to bring my work
Monday, February 21, 2011
Fantastic New Bottle Cutter
Below today's post there is a video showing a wine bottles being cut with the new bottle cutter from Delphi. If interested you can check out the glass supplies at www.delphiglass.com. I saw it offered this year online and later in their catalogue. I know two people who have ordered it but, no reports yet about their success. I passed on buying one when it was offered at a special price and I probable will regret it. I can always pay full price or wait for another sale. If it is anywhere as good as the video this is even better and easier than using a wet saw and well worth the price. I have used a wet saw and there is more glass loss and far far messier and wetter. Using a wet saw is still more versatile when angled cut are desired.
During the last few years I have used wine bottles to make trays, spoon rest, sushi and cheese platters. I have added decorative features, handles and wire hooks to make them easier to use. I still have many cases of clean bottles waiting to make vases, glasses and holders. Between my wet saw and this cutter my summer project will be easier and faster. Wow, here's a thought. It would be a perfect demonstration to use for Open Studio in May.
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| Decorated wine bottle trays in front |
Saturday, February 19, 2011
Silicon Valley Open Studio
It is official I am participating in this year's Open Studio. Visitors will be coming by the first 2 weekends in May. This will be my 4th time. My work has changes so much. In the beginning I offered collage work and decoupage boxes including Judaic theme Shabbat candle boxes. Next time I painted and decorated metal chair planters along with Mah Jongg tile jewelry and Menorahs. During this time I was taking classes learning the fundamentals of fused glass art. The medium is such a complex and fascinating art form.
I finally offered for sale my fused glass at the 2008 Open Studio. I waited until I felt my work was good enough and my studio was available for viewing. We are asked to let visitors in our work space and be available to demonstrate what we do. Having people around glass was problematic for me. I needed to find something to show without having a lot of cut glass around. I decided to demonstrate the cold work needed to finish off a fused piece before the final fire polish firing. I turned out some people even asked to use the grinder to see what it was like to smooth out the piece. I will probably to it again this year.
I focus on one or two major shows a year. Last year was the To Life Jewish Festival and The Sun Gallery Boutique. I find the spacing is enough to produce enough fused glass without too much pressure. Also, I need space to store the completed pieces until the next show. This Open Studio will probably be the last one at this house. The next place I set up a glass studio will be planned to allow for work space and storage. More to follow. See you in May.
I finally offered for sale my fused glass at the 2008 Open Studio. I waited until I felt my work was good enough and my studio was available for viewing. We are asked to let visitors in our work space and be available to demonstrate what we do. Having people around glass was problematic for me. I needed to find something to show without having a lot of cut glass around. I decided to demonstrate the cold work needed to finish off a fused piece before the final fire polish firing. I turned out some people even asked to use the grinder to see what it was like to smooth out the piece. I will probably to it again this year.
Tuesday, February 8, 2011
Just Having Fun "smashing glass"
This is the time of year I just kick back and have fun in the studio. The 2010 shows are over, the unsold merchandise is repacked and waiting for the new season to start.
Since participating in the Sun Gallery Holiday Boutique, I joined ArtFire to sell online. Ran into problems and have yet to set up my page. I am better working with glass than I am with web sites. I went to Half Moon Bay a while ago with friends and bought blown glass rocks by the pound. I have used this type of glass used for glass blowing in the past to make unusual jewelry pieces. The excess glass is junked on the hot glass floor and discarded. It is often multi colored and when smashed with a hammer I clean and fire the smaller pieces. Some don't look good and I throw them away, but there are enough surprisingly lovely results to make it worth while. My friends spent time in my studio and chose the glass they wanted to work with. After a few hesitant blows with the hammer they smashed and then gathered the smaller pieces. Using mini molds for specific shapes and firing without molds many cabochons were made. After firing , shaping and fire polishing my friends came back ready to make pins, earrings, and pendants. If you ever have a chance try doing this. It is lots of fun. I forgot to get photos before they took their art work home. Sorry. Maybe I will post some of mine when I am finished. Of course, I am the last one to work on this project.
Since participating in the Sun Gallery Holiday Boutique, I joined ArtFire to sell online. Ran into problems and have yet to set up my page. I am better working with glass than I am with web sites. I went to Half Moon Bay a while ago with friends and bought blown glass rocks by the pound. I have used this type of glass used for glass blowing in the past to make unusual jewelry pieces. The excess glass is junked on the hot glass floor and discarded. It is often multi colored and when smashed with a hammer I clean and fire the smaller pieces. Some don't look good and I throw them away, but there are enough surprisingly lovely results to make it worth while. My friends spent time in my studio and chose the glass they wanted to work with. After a few hesitant blows with the hammer they smashed and then gathered the smaller pieces. Using mini molds for specific shapes and firing without molds many cabochons were made. After firing , shaping and fire polishing my friends came back ready to make pins, earrings, and pendants. If you ever have a chance try doing this. It is lots of fun. I forgot to get photos before they took their art work home. Sorry. Maybe I will post some of mine when I am finished. Of course, I am the last one to work on this project.
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